International curators HSEIH I-Hsuan and Emily Shin-Jie Lee bring their borderless curatorial voice to this year’s Digital Pass with a specially selected collection of films.
This curated series mirrors the sensibility of their in-cinema programme at the Barbican, offering audiences a chance to encounter movement in its most expansive and evocative forms – from the dance of memory and time to the choreography of image and feeling. Many of the featured works highlight artists and filmmakers from Taiwan, whose practices move between the corporeal and the cinematic, drawing out resonances of presence, absence, and the in-between.
Accessible globally with a Dance Umbrella Digital Pass, this film collection invites you to experience a constellation of short works that dissolve boundaries between body, screen and spirit.
i-husan and Emily have also curated Dance Umbrella Film Series: Sunday Shorts, a collection of films which will be screened at Barbican Cinema on Sunday 12 October.
The full programme of films will be announced soon. Check back for details or sign up to our newsletter to stay up to date.
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HSIEH I-Hsuan
Film Curator, Writer & Researcher
HSIEH I-Hsuan (she/her)
Film Curator, Writer & Researcher
Amsterdam (Netherlands) / Taipei (Taiwan)
HSIEH I-Hsuan is a film curator, writer and researcher based in Amsterdam and Taipei with an anthropological background. She currently works as a programmer for the Women Make Waves Film Festival Taiwan and the Singapore Film Festival. Alongside her work in festivals, she is active as an independent curator, with a focus on cinema from East and Southeast Asia.
HSIEH I-Hsuan is a film curator, writer and researcher based in Amsterdam and Taipei with an anthropological background. She currently works as a programmer for the Women Make Waves Film Festival Taiwan and the Singapore Film Festival. Alongside her work in festivals, she is active as an independent curator, with a focus on cinema from East and Southeast Asia.
She also provides film festival strategy consultancy for short films and documentaries, supporting filmmakers in navigating the international festival circuit. In addition, she serves as the editor-in-chief of Taiwan Documentary E-Paper and is a member of the Taiwan Film Critics Society. Her writing focuses on non-fiction and artists’ films, particularly within the context of Asian cinema and underrepresented perspectives in mainstream discourse.
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Emily Shin-Jie Lee
Cultural Practitioner
Emily Shin-Jie Lee (she/her)
Cultural Practitioner
Amsterdam (Netherlands), Taipei (Taiwan)
Emily Shin-Jie Lee is a cultural practitioner based in Amsterdam. She currently works at Framer Framed as head of research with a focus on residencies, fellowship programmes and cross-institutional collaborations often realised through discursive formats involving multiple interlocutors. She studied anthropology at National Taiwan University and obtained her research master’s degree in art studies from the University of Amsterdam.
Emily Shin-Jie Lee is a cultural practitioner based in Amsterdam. She currently works at Framer Framed as head of research with a focus on residencies, fellowship programmes and cross-institutional collaborations often realised through discursive formats involving multiple interlocutors. She studied anthropology at National Taiwan University and obtained her research master’s degree in art studies from the University of Amsterdam. Since 2022, she has been working on a PhD project at the Amsterdam School for Cultural Analysis (ASCA) at the University of Amsterdam, in which she studies art residency and its critical engagement with ecological, feminist and decolonial enquiries.
Emily is one of the founding members of Lightbox, a public photo library and centre for contemporary photography in Taipei; co-founder of Limestone Books, an art book store in Maastricht; and co-founder of Hide & Seek Audiovisual Art, a multidisciplinary collective focusing on cultural mediation and alternative pedagogy.