Read new articles commissioned for Dance Umbrella Festival 2022 by dance artists Julia Cheng and Qudus Onikeku.
Fearlessness in non-conformity
by Julia Cheng
Being a freelance artist is hard, especially in the face of doubt from others.
So how can artists demonstrate resilience in a creative industry which, for all its joy and purpose, can also be brutal and exhausting at the same time?
Julia Cheng, a creative director, dance artist and Olivier-nominated choreographer for Cabaret, writes for Dance Umbrella about the power of non-conformity, actively straying out of your comfort zone and refusing to compromise on your aspirations.
ATUNDA: The Metaverse and the Data Dance Union
by Qudus Onikeku
It seems dance artists are onto something with the arrival of the metaverse. After all, the creative economy is arguably the most crucial component of this virtual world.
But how can it also be utilised to protect dancers and their work?
Qudus Onikeku, co-founder and artistic director of the QDance Center in Lagos and YK Projects in Paris, and research fellow on dance and AI at the University of Florida, writes for Dance Umbrella about how AI can be used to build a “data bank” of dance moves in the metaverse – taking the dance ownership conversation away from copyright law and towards data rights.
Previous articles commissioned for Dance Umbrella Festival
2021
Jade Hackett: How the London Landscape and Culture has shaped my Dance Practice
Read now
Sonny Nwachukwu: Access at the heart of a process
Read now
2020
Chiara Bersani: COVID-19 and disability
Read now
Myah Jeffers: The Spiritual Power and Politics of Dance In Black Majority Spaces
Read now
Tim Joss: In dance’s embrace
Read now
Commissioned by Dance Umbrella
About the Artists +
Julia Cheng
Julia Cheng founded House of Absolute in 2014, she is a creative director, choreographer and dance artist with an impressive portfolio of works presented nationally and internationally.
Julia is a 2022 Olivier Award nominated choreographer, in recognition of her critically acclaimed choreography on West End’s Cabaret at the Kit Kat Club.
Julia is also a judge and mentor for BBC Young Dancer, mentor for the biggest UK Hip Hop Festival Breakin’ Convention, and patron of Next Generation Youth Theatre in her hometown of Luton.
Julia has worked with Chinese Arts Now, an organisation championing British East Asian artists. Cheng also has co-directed operas, one of which was awarded the George Butterworth Prize 2020 with composer Alex Ho. She has curated cross-art form exhibitions, theatre shows, dance films and youth productions.
Having judged, won and competed in many Hip Hop battles since 2007, her prolific reputation has led to campaigns with Dr Martens, Vogue Italia, Wella, Kowtow New Zealand and BBC World Service Persia.
Her influences draw from her dance training of Hip Hop dance, Waacking, contemporary dance, martial arts, theatre studies and eastern philosophy. She prides herself on combining collaborative approaches to processes and has collaborated with poets like Lavinia Greenlaw, to music artists Shingai and Floacist, composers Simon McCorry and Alex Ho, artist/sculptor Laila Muraywid, curator Kerry-Campbell and theatre director/activist Daniel York-Loh.
Having recently choreographed for a double-bill opera with director Isabelle Kettle for the Royal Opera House, Julia is currently working on House of Absolute Philharmonia Orchestra Artist in Residence 2022 projects, developing her production with Sadler’s Wells 2022 and directing / choreographing ‘anti-opera’ Untold with composer Alex Ho for Europe tour in 2023.
Qudus Onikeku
Qudus was born and grew up in Surulere district of Lagos, Nigeria. Very quickly he had the urge to express something of himself, and it was at the age of 5 that he began to discover his acrobatic prowess. Through his love of acrobatics, he discovered dance at 13. In 2009, Qudus graduated from the École nationale supérieure des arts du cirque in France. With a special interest in Acro-Dance, since then he has managed to create a movement identity that fuses dance and acrobatics, while making his Yoruba traditional philosophy his basis, combining it with several other influences such as hip hop, capoeira, tai chi and contemporary dance vocabularies, to weave a certain understanding of dance, art, politics and everything in between.
For more than a decade, he has retained a presence in the Nigerian choreographic scene, and became part of the new generation of creators springing from Africa. Qudus is well known in Europe, the USA, Latin America, Asia and the Caribbean for his solo works, writings and public space happenings. He has also danced, collaborated and toured widely with renowned artists all over the world.