Filmed in Cape Coast, Ghana, between the forts of Elmina and Cape Coast, The Coast I reflects on a landscape deeply connected to the history of the transatlantic slave trade. Through a site-responsive dance intervention, Yinka Esi Graves explores presence, memory and the traces of lives shaped by forced displacement, creating a powerful dialogue between body, history and place.
Part of The Disappearing Act: a series of site-responsive interventions, the films emerge from Graves’ exploration of places shaped by colonial discourse. Each one responds to landscapes that hold traces of brutal displacement and erasure, yet often bear few visible signs of the histories they contain.
Through movement, Graves investigates questions of presence, absence and visibility, developing a distinctive choreographic language in dialogue with each site. Rosales’ camera captures these encounters, creating intimate and evocative works that bring body, memory and place into conversation.
Presented together, each film reflects a unique meeting between performer and landscape, revealing how histories can linger within spaces, and how dance can become a way of witnessing, remembering and reimagining what has been obscured.
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Yinka Esi Graves
Dance Maker & Flamenco Artist
Credit Adam Newby
Yinka Esi Graves (she/her)
Dance Maker & Flamenco Artist
Seville (Spain) / London (UK)
Previous Dance Umbrella credits: Studio Sessions (2025, Sadler’s Wells East); ShebeenDUB (2022, Bernie Grant Arts Centre); Out of the System (2017, Rich Mix)
Yinka Esi Graves is a British choreographer and dancer based in Spain. Her work explores the links between flamenco and other contemporary forms from a perspective situated in the Afro-diaspora, where the body is a discursive space. It ranges from stage pieces to live composition works, both as a solo artist and as a collaborator.
Graves’ first solo work, The Disappearing Act, premiered at the Nimes Flamenco Festival (2023) and has been programmed at international festivals such as El Grec, Tanz Im August, and the Avignon Festival, among others.
In early 2026, A Place to Dance, a collaboration with Poliana Lima, premiered. This year, Graves is beginning to develop her next stage project, which deals with the concepts of subversion and catharsis, with a premiere scheduled for 2027.
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Miguel Ángel Rosales
Director & Screenwriter
Miguel Ángel Rosales (he/him)
Director & Screenwriter
Seville (Spain)
Director and screenwriter, Miguel Angel has written and directed several short films: Luz en los Márgenes, Atrapados al Vuelo, La Maroma, as well as his feature film Gurumbé.
Chansons de ta Memoire Noire (2016), which has enjoyed a long international run, is the first film to address the presence of African descendants in Spain and their influence on flamenco and Andalusian culture. His documentaries have won numerous awards and have been selected for many festivals, including São Paulo, SEMINCI, the Minneapolis Latin Film Festival and L’Alternativa in Barcelona.
The Disappearing Act trilogy

7 Oct - 30 Nov 2026
DigitalYinka Esi Graves & Miguel Ángel Rosales The Forest
A short film that imagines a place of refuge for those seeking freedom from oppression

7 Oct - 30 Nov 2026
DigitalYinka Esi Graves & Miguel Ángel Rosales The Door
A short film that responds to a place shaped by the legacies of empire and representation
Cast & Creative +
- Yinka Esi Graves
Concept, choreography and dance - Miguel Ángel Rosales
Filming & Editing
Credits +
Supported by Arts Council England




