Omar Rajeh is a choreographer, festival director and cultural architect whose practice spans performance, participation and moving image. Dance is Not for Us marks a rare London appearance from the founder of Maqamat and BIPOD – Beirut International Platform of Dance, and recipient of France’s Chevalier de l’Ordre des Arts et des Lettres. Rajeh brings over two decades of choreographic practice to an intimate solo that is at once a personal memoir and a political act.
Alone onstage, he dances and speaks of a past that no longer exists – of Lebanon, of loss, of a world that froze before it could become a future. Raw, urgent and deeply human, this is a work that asks what it means to keep dancing when everything around you says stop.
Drawing on maqam – his practice of instant composition, Rajeh refuses the structures of power that would reduce dance to something safe or palatable. The dancing body, he insists, creates its own rules, its own logic, its own hope. Performance becomes a gathering, a space where artist and audience enter into a shared experience that pushes back against fear and normalisation.
“It might have been weird on many levels that I chose dance in a country that was coming out of civil war, destruction, death and loss. However, dance at the time seemed to be the most revolutionary, the most provocative, and the most confrontational.”
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Omar Rajeh
Choreographer, Dancer & Artistic Director
Omar Rajeh (he/him)
Choreographer, Dancer & Artistic Director
Beirut (Lebanon), Lyon (France)
Omar Rajeh is a choreographer and dancer, founder and artistic director of Maqamat.
After establishing his base in Lebanon in 2002, he relocated to Lyon in 2020, continuing to create and tour between Lebanon, France, and internationally.
Across more than twenty choreographic works presented on major international stages, Rajeh develops a practice that questions the politics of gatherings and relationships. He treats space as a living composition of meaning: how it is arranged, occupied, and negotiated shapes the nature of relationships. Central to his approach is maqam – a practice of instant composition that conceives the body as a constellation of shifting centres in constant dialogue, organising space through relationships rather than form.
Rajeh’s artistic work is inseparable from the cultural ecosystems he has initiated and sustained. He founded BIPOD – Beirut International Platform of Dance, co-founded the Masahat network, and initiated Takween, an intensive training program. In 2017 he established Citerne Beirut, a pioneering choreographic centre in Lebanon, later reimagined as Citerne.live, a digital platform dedicated to artistic circulation and documentation.
For his contribution to culture, he was distinguished by the French Ministry of Culture as Chevalier de l’Ordre des Arts et des Lettres.
Gallery
Presented by Dance Umbrella and Barbican

Cast & Creative +
- Omar Rajeh
Concept & Choreography - Mia Habis
Assistant Choreographer - Peggy Olislaegers
Dramaturgical Advice - Joss Turnbull, Charbel Haber
Music Composition - Julien Laurent
Technician - Valentin Crépain
Co-ordination & Diffusion - Sandrine Orlando
Administrator
Credits +
Presented by Dance Umbrella and Barbican
A production of Cie Omar Rajeh & Maqamat
Special thanks to CN D à Lyon, Sima Performing Arts, Al-Serkal Avenue, Amadeus école de danse et de musique with the support of the DRAC – Auvergne Rhône-Alpes
This performance is supported by the Programme international de diffusion artistique (PIDA)
Venue & Access +
Venue
Address
Barbican Centre
Silk Street, London
EC2Y 8DS
The Pit is located on Level -2 within the main Barbican building and can be accessed via the stairs or lifts on Level G, next to the doors to the Lakeside Terrace.
Public transport
The Barbican are within walking distance from a number of London Underground and Elizabeth Line stations, the closest being Barbican, St Paul’s, Farringdon and Moorgate.
The nearest tube station served by the Night Tube (Friday and Saturday) is St Paul’s on the Central line.
Access information
Access
The Pit floor (level minus 2) can be reached via the main lifts – please note that only two of the four lifts go to this floor. Access Step-free access from the Pit floor foyer to any front-row seat. All other seats lead off stepped aisles.
Mobility
Spaces for two wheelchair users in the front row (at stage level), with companion seats. Front row seats are also suitable for people with limited mobility.
Assistance dogs
Because space in the auditorium is limited, we recommend that you leave your dog to be cared for by a member of the foyer staff during the performance.
Amplified sound
Amplified sound is provided through a headset for people with impaired hearing. Audio-described performances use a wireless network to relay through a headset a live description of the scenery, costumes, facial expressions and action. Headsets are available. You can obtain one 30 minutes before the performance from the programme desk inside the Pit Theatre entrance.
For more access information, please visit the Barbican website.







