Studio Sessions is a presenter programme, introducing dance artists based in England to promoters from the UK and abroad, with the ambition of brokering new relationships for international co-commissioning and future touring. Studio Sessions is a collaboration between Dance Umbrella and FABRIC that has been running since 2018.
Four companies, BULLYACHE , Lost Dog, Sung-Im Her, and Yinka Esi Graves & Poliana Lima will be sharing works-in-progress of new performance presented in partnership with Sadler’s Wells.
This is a great opportunity for industry professionals to find about these four new works, as well as network with a range of artists, producers and promoters whilst attending Dance Umbrella Festival.
How to attend
Attendance is welcomed by presenters who are interested in the work of these artists.
FABRIC International, funded by Arts Council England, offers financial support for attendance by international presenters.
If you’re interested in attending the event, please email [email protected] to reserve your place or enquire about financial support.
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Ben Duke
Artistic Director & Co-founder, Lost Dog
Credit Camilla Greenwell
Ben Duke (he/him)
Artistic Director & Co-founder, Lost Dog
East Sussex (UK)
Previous Dance Umbrella credits: The Difference Engine (2011, Gate Theatre)
Ben is Artistic Director and co-founder of Lost Dog. He trained at Guildford School of Acting, London Contemporary Dance School and has a degree in English Literature from Newcastle University. His work is an attempt to reconcile those three subjects.
Ben is Artistic Director and co-founder of Lost Dog. He trained at Guildford School of Acting, London Contemporary Dance School and has a degree in English Literature from Newcastle University. His work is an attempt to reconcile those three subjects.
In 2023 Lost Dog won the National Dance Award for best mid-scale company and Lost Dog’s recent co-production with the Royal Opera House, Ruination, was awarded best modern Choreography and was also nominated for an Olivier award. Other recent work for Lost Dog includes A Tale of Two Cities, Juliet and Romeo, Paradise Lost (lies unopened beside me) and the Place Prize Winning It Needs Horses.
Outside of Lost Dog Ben has created work for Rambert (Death Trap in 2023) Scottish Dance Theatre (The Life and Times of Girl A), Dance Umbrella (The Difference Engine), Phoenix Dance Theatre (Pave up Paradise), Barely Methodical Troupe (Kin) and most recently the outdoor circus show Fireside with Nikki and JD.
Lost Dog’s Ruination and Ben’s work with Rambert were both nominated for Olivier awards in 2017 and 2022.
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Sung Im Her
Dance Artist
Credit C. Baki
Sung Im Her (she/her)
Dance Artist
UK
Born in South Korea, the award-winning artist Sung Im Her obtained a master’s degree in contemporary dance from Hansung University and has also studied in Belgium at P.A.R.T.S. Her has worked across Korea and Belgium with many prestigious companies including Ji-Gu Dance Theater, Les ballets C de la B, Needcompany, Abattoir Fermé, and Opéra de Lille and many more.
Born in South Korea, the award-winning artist Sung Im Her obtained a master’s degree in contemporary dance from Hansung University and has also studied in Belgium at P.A.R.T.S. Her has worked across Korea and Belgium with many prestigious companies including Ji-Gu Dance Theater, Les ballets C de la B, Needcompany, Abattoir Fermé, and Opéra de Lille and many more.
Since settling in the UK, Her has premiered many of her own works including: You Are Okay! (2017), Human Wall (2018), Nutcrusher (2019), W.A.Y (2019), Time in between time (2020) and most recently Tomorrowisnowtodayisyesterday (2024). Her has been named one of the top ten “stage sensations to watch out for in 2023” by the Guardian.
In her work, Her seeks to balance a minimalist, formal aesthetic with a content-rich narrative style. As a choreographer, she explores the essence of movements, unburdened by cultural or personal meaning. This leads to a minimalist, raw style of movement with strict, geometrical choreography that is based on iteration. As a narrator, Her focusses on controversial topics like migration, discrimination, sexual violence, etc. She builds her views on these matters through rigorous research and integrates these into her choreographies by using theatrical and culturally charged elements.
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Yinka Esi Graves
Dance Maker & Flamenco Artist
Credit Adam Newby
Yinka Esi Graves (she/her)
Dance Maker & Flamenco Artist
London (UK)
Previous Dance Umbrella credits: ShebeenDUB (2022, Bernie Grant Arts Centre); Out of the System (2017, Rich Mix)
Yinka Esi Graves is a British dance maker and flamenco artist whose work explores connections between flamenco and contemporary forms rooted in the African diaspora. Trained at Madrid’s Amor de Dios and in Seville with renowned artists, she has performed with figures such as Remedios Amaya and Concha Buika.
Yinka Esi Graves is a British dance maker and flamenco artist whose work explores connections between flamenco and contemporary forms rooted in the African diaspora. Trained at Madrid’s Amor de Dios and in Seville with renowned artists, she has performed with figures such as Remedios Amaya and Concha Buika.
Graves’ collaborative and solo practice bridges stage and site-specific work, informed by artists like nora chipaumire and Dr Ama Wray. Her 2016 co-creation Clay with Asha Thomas marked a shift toward more experimental creation. She has also appeared in Cuerpos Celestes, Origen, and Mailles, touring internationally.
Her first solo piece, The Disappearing Act, premiered at the Nimes Flamenco Festival (2023) and continues to tour globally. It reflects her multidisciplinary inquiry into themes of invisibility. As part of the 2022 Bienal de Flamenco de Sevilla, she presented The Disappearing Act: On Erasure, an illustrated lecture expanding on the piece’s theoretical foundation.
Graves is currently developing a new solo work set to premiere in 2027.
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Poliana Lima
Choreographer, Dancer & Teacher
Poliana Lima (she/her)
Choreographer, Dancer & Teacher
Madrid (Spain)
Poliana Lima (Brazil, 1983) is a choreographer, dancer, and teacher based in Madrid. With a background in sociology from UNICAMP and training in various dance disciplines, she merges academic, physical, and cultural influences in her work. Her choreography explores identity, memory, and the interplay between creation and pedagogy.
Poliana Lima (Brazil, 1983) is a choreographer, dancer, and teacher based in Madrid. With a background in sociology from UNICAMP and training in various dance disciplines, she merges academic, physical, and cultural influences in her work. Her choreography explores identity, memory, and the interplay between creation and pedagogy.
Over the past 15 years, Poliana has developed 8 full-length works and 6 shorter pieces. She has received support from institutions including Teatros del Canal, Aerowaves, and Condeduque-Madrid, where she was an associate artist (2018–2020). Her work Es Como Ver Nubes won multiple awards across Europe, and her solo Hueco toured nationally and internationally.
Her recent works include Las cosas se mueven pero no dicen nada (2020), selected for Aerowaves 2021, and El cuerpo común, a trilogy exploring the body and cultural heritage. The first two parts, Oro Negro (2022) and The Common Ground (2024), were premiered in Madrid and Barcelona.
Poliana co-directs EspacioTiempo studio with Lucas Condró and continues to teach while developing new projects, including A Place to Dance with Yinka Esi Graves and the final part of her trilogy, Carnaval, set to premiere in 2027.
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BULLYACHE
Dance Company
Credit Andrea Fiumana
BULLYACHE
Dance Company
UK
BULLYACHE is a UK-based duo formed by Courtney Deyn and Jacob Samuel. Fusing dance, live music and pop spectacle, their work draws on ballroom, performance theory and rigorous physicality.
BULLYACHE is a UK-based duo formed by Courtney Deyn and Jacob Samuel. Fusing dance, live music and pop spectacle, their work draws on ballroom, performance theory and rigorous physicality. Their productions TOM and Who Hurt You? earned international acclaim, with Frieze calling the latter “queer performance art defined by confession and self-affliction.” Supported by Arts Council England, Warp Records, and the Genesis Foundation, they’ve held residencies at Barbican and Studio Wayne McGregor. In 2025, they became the first dance artists to record at Abbey Road Studios and premiered a new piece at Paris Fashion Week with Loverboy.
About the works
BULLYACHE, A Good Man is Hard to Find
A Good Man Is Hard to Find draws inspiration from the 2008 financial crash and the Bohemian Grove Cremation of Care ceremony, a real-world, secretive ritual where global elites gather each year to symbolically rid themselves of guilt before making the decisions that shape lives. The show dissects the mythology of power, exposing the absurdity, delusion, hazing, and destruction that define these men who are emotionally trapped somewhere between a god and a teenage boy.
Through five dancers, live music, cinematic imagery, and visceral choreography, the piece embodies their fractured psyches. Their movements and behaviours reflect their inner turmoil, their relationship to authority shifting and reinstating itself in ever more ritualistic ways.
A Good Man Is Hard to Find is co-commissioned by Venice Biennale, Sadler’s Wells and Unlimited, and will be their 3rd full length work.
Lost Dog, The Last Hamlet
Ben Duke, artistic director of Lost Dog, is, as a favour to the theatrical world, attempting to kill off Hamlet once and for all. He is trying to stage not a definitive or even an accurate version of this ubiquitous play but simply the last one. This idea is the beginning of a show that explores the role of the artist in these dark days and questions whether the characters who occupy the stage are still fit for purpose.
Sung Im Her, 1 DEGREE CELSIUS
Through her signature electrifying movement style, pulsating music and dynamic light design, Sung Im Her | Her Project’s exhilarating new production 1 Degree Celsius invites us to consider the question: How can art spark action in the face of the climate crisis?
Featuring seven dancers, 1 Degree Celsius looks at the topic of climate change and the effects it is having on the environment. As with all Her’s work, music and light form an essential and innovative character in the production. A new musical score has been created using data collected from rising atmospheric temperatures, and the lighting design is co-ordinated to the rising temperature of the earth.
Yinka Esi Graves & Poliana Lima, A Place to Dance
A Place to Dance is an encounter between Brazilian dancer and choreographer Poliana Lima and British flamenco dance artist Yinka Esi Graves. Drawing from their shared understanding of the body as a site which is traversed by multiple cultural heritages; when these are placed in the centre, the question of belonging arises. What does it really mean to belong becomes a question of “place”. Lima and Graves recognise the potential dance has to articulate the dynamics of participation and community. An opening in space and time that allows for transformation and belonging.


Venue & Access +
Venue
Address
The entrance to Sadler’s Wells East is off Stratford Walk, Queen Elizabeth Olympic Park, London, E20 2AR
Find more information on transport here.
Access information
Sadler’s Wells East is fully accessible and their facilities include:
- Disabled parking
- Adapted toilets
- Wheelchair spaces
- Lifts and flat access to auditoriums, bars and cafe
- Guide dogs are allowed
Find more information on access here